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CPHC

Home
Research
What's On
Summary
Events
Calls for Papers
About
CPHC
Members
Contact
Privacy Terms
Publications
CPHC Publications
Films & Recordings
Affiliates
November 21, 2024
Caroline Archer
The M. C. Lang Fellowship in Book History

Rare Book School at the University of Virginia

The M. C. Lang Fellowship in Book History
November 25, 2022
Caroline Archer
Fully-funded M4C Collaborative Doctoral Award

Common printed things: intersections of art and industry, the Coalbrookdale Collection, 1850–1930

Fully-funded M4C Collaborative Doctoral Award
Chris Hill
June 10, 2016

Doctoral Studentship: British News after Empire

Chris Hill
June 10, 2016

Birmingham City University and the Centre for Printing History and Culture invite applications for a doctoral studentship on 'British News after Empire'.

Tagged: British News

Chris Hill
June 10, 2016

Doctoral Studentship: Punjabi Print Culture

Chris Hill
June 10, 2016

Birmingham City University and the Centre for Printing History and Culture invite applications for a doctoral studentship on 'Punjabi Print Culture in Post-war Britain'. 

Tagged: Punjabi Print Culture

Chris Hill
June 10, 2016

Doctoral Studentships with CPHC

Chris Hill
June 10, 2016

The Centre for Printing History and Culture (CPHC) has up to three doctoral scholarships available for candidates of exceptional promise.  

Chris Hill
May 9, 2016

The Cadburys and the Chronicle

Chris Hill
May 9, 2016

On 17 October, 1960, the News Chronicle, a liberal daily that opposed fascism and stood for peace and reconciliation in international affairs, was sold to and absorbed by the Daily Mail.

Tagged: Cadbury, News Chronicle, Daily Mail

Caroline Archer
May 5, 2016

In the Margins: ‘Mr Pembertons Garden at the Hillhouse’

Caroline Archer
May 5, 2016

The topographical views of the eighteenth century lend themselves to minute exploration, especially digitised images that can be zoomed into and enlarged onscreen.

Caroline Archer
April 24, 2016

From Craft to Technology and Back Again

Caroline Archer
April 24, 2016

The Centre for Printing History & Culture is delighted to be working with two of its partners, the Printing Historical Society, UK and the National Print Museum, Dublin in hosting a two day conference entitled From Craft to Technology and Back Again: prints progress in the twentieth century.

Caroline Archer
April 19, 2016

An Early Reference to Wayzgoose?

Caroline Archer
April 19, 2016

‘Fyve scoer yowsesses’ & ‘ij old botles:’ aspects of life in and around Appleby during the reign of Gloriana.

Caroline Archer
April 11, 2016

British and Irish Print Networks

Caroline Archer
April 11, 2016

11-12 July 2016 Moore Institute, National University of Ireland, Galway

Source: http://www.bookhistory.org.uk/print-networks/events

Chris Hill
March 21, 2016

The Easter Rising

Chris Hill
March 21, 2016

On the night of Easter Sunday 1916 in the basement of Liberty Hall, Dublin, Christopher Brady, William O’Brien and Michael Molloy printed 2,500 copies of Ireland's best known historic document, the 1916 Proclamation.

Caroline Archer
March 21, 2016

Easter with The King James Bible, 1611

Caroline Archer
March 21, 2016

This Easter, millions of people across the English-speaking world, be worshiping in Churches using The King James Bible, also known as The Authorised Bible.

Caroline Archer
March 17, 2016

Book History Research Network Workshop

Caroline Archer
March 17, 2016

This one day workshop seeks to explore the nature of the collection and its role in Book History. 

Chris Hill
March 9, 2016

The Book of Job with Linocut Images

Chris Hill
March 9, 2016

The Old Stile Press are pleased to announce the publication of a new book - currently being bound but soon to be ready for all our friends who find the linocut and woodcut imagery of John Abell outstanding and powerful.

Chris Hill
February 21, 2016

Salvaging the Doves Press Type

Chris Hill
February 21, 2016

The Doves typeface was used to print some of the most famous books of its day and became hugely valuable: then the man who created it hurled it into the River Thames.

Chris Hill
February 14, 2016

Valentine's Cards

Chris Hill
February 14, 2016

Old habits die hard, and as I walked down the Euston Road I couldn’t resist looking at the most recent batch of tart cards that had been dropped in the telephone boxes.

Chris Hill
February 8, 2016

The Winterbourne Press

Chris Hill
February 8, 2016

In 2012, Lee Hale, curator and head of Winterbourne House and Garden, was asked to visit a cellar at Westmere House down the road in Edgbaston. 

Chris Hill
February 7, 2016

The Winter Wayzgoose

Chris Hill
February 7, 2016

The Centre for Printing History and Culture’s Winter Wayzgoose was the first of our seasonal meetings for anyone with an interest in printing, including practitioners and scholars.

Chris Hill
January 31, 2016

The James P. Danky Fellowship

Chris Hill
January 31, 2016

In honor of James P. Danky's long service to print culture scholarship, the Center for the History of Print and Digital Culture, in conjunction with the Wisconsin Historical Society, is offering an annual short-term research fellowship. 

Chris Hill
January 24, 2016

Wapping at 30

Chris Hill
January 24, 2016

It is 30 years years ago today that 5,500 newspaper workers went on strike after failing to agree terms and conditions with Rupert Murdoch's News International over a move to a new and high-tech printing plant at Wapping in the London Docklands. 

Tagged: Wapping dispute, Newspapers

Chris Hill
January 21, 2016

Unjustified Lines

Chris Hill
January 21, 2016

Whoever said research is a mere excuse for idleness was probably right. I have frittered away many research hours examining some curiosity or other that I have stumbled upon and which has proved more captivating than the original focus of my attention. 

Chris Hill
January 21, 2016

British Women's Writing between 1930 and 1960

Chris Hill
January 21, 2016

The period of women’s literary history between 1930 and 1960 is beginning to receive the closer attention of literary scholars, feminists and cultural historians. It is a period characterised in many ways by the prefix ‘re’; emblematic of the persistent impulse for re-evaluation of women’s writing that occupies an uncertain, liminal place in relation to the canon.

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